martes, 25 de diciembre de 2012

Fashion in Cambodia: Eriya Miura


Lift the back of an H&M shirt and you may find a “Made in Cambodia” tag. Does it sound familiar now? This country of contrasts is where conservative traditions meet modern ways, and the richest of the country co-exist with the poorest. Eriya Miura has lived her whole life in Cambodia, and as a recent graduate of Raffles University, she is proudly one of the few Cambodian designers that has studied fashion in her own country.

Eriya Miura by Clay Frame
As some Puma shoes or H&M clothes may indicate, Cambodia holds a great reputation for being textile manufacturers. In fact, it is the country's largest source of employment. Still, finding fashion students or even fashion bloggers to talk to wasn’t easy. It took me a while, but I was finally able to talk to Eriya, occasionally a model, but mostly a fashion designer. She recently graduated from one of the two private schools that teach fashion in Cambodia. At Raffles University she was the only student of the two-year Advanced Diploma on Fashion (I know, I was quite surprised too). Basically she is one of the first generations of Cambodian designers that actually studied in Cambodia, and the first one in her family full of doctors and lawyers. Very excited, Eriya agreed to talk, and she answered all of my questions very openly in the Skype messages, since Internet at her house wasn’t great to talk.

First of all, would it be possible for you to describe the Cambodian fashion scene? “Well, the fashion scene in Cambodia is slowly rising...more youngsters are becoming interested in fashion.” Apparently, Eriya has started to notice that Khmer people – as Cambodian’s are often referred as – care more about what they wear and how they look now than they did before. So, if fashion is emerging, why couldn’t I find any stylish bloggers around there? Not very certain of why either, Eriya took a guess. “Khmer people are really conservative, and sometimes they might feel like they're not important enough to be looked up to, especially in fashion.” 
Eriya interned in Sentosasilk, a Cambodian brand that employs disabled craftsmen and women that are experts in the art of silk weaving. However, the type of buyers that the brand has are mostly from abroad. “They get most of their orders from important people like ambassadors or even the wives of very important people here and of countries in south-east Asia”. So it turns out, that only a few Cambodian people are buying Khmer fashion. Not even Eriya, who ashamedly confessed to me she didn’t have any Cambodian brands in her closet but her own. “I think Cambodian people are still trying to get used to buying clothes made by Cambodian designers. So they tend to buy clothes from overseas with brands from Zara, H&M and Mango to higher-end brands like Prada, Louis Vuitton, Christian Louboutin and Chanel.”

Despite this, it appears that there is a chance for students to work. “We can work in boutiques, or work with merchandising and manufacturing companies. A lot of people from garment manufacturing companies in Cambodia have come to my school to ask if any graduate students are ready to work with them.” It sounds good, but there have been recent strikes in the textile factories because of the low wages. There were even investigations from Puma and H&M, because women in their factories had started to faint. “Yes, that “fainting period”, she said. “It caused a stir here in Cambodia, no one still knows the exact reason why girls in the factories keep fainting. Some say it's because of the hygiene in the factories, some say it's because there's not enough ventilation in there, some even accused the girls of pretending to faint because they wanted attention.”

These controversial circumstances have increased Cambodia’s worldwide recognition as a manufacturing country. But by the looks of it, there are people trying to change this vision of the country. Both F, a Cambodian fashion magazine and the Cambodian Fashion Council are trying to push Khmer fashion forward. Also, for the first time, Cambodia Fashion Week was held last year in the capital Phnom Penh, and Eriya participated with her mini collection ‘Aurum’ that was inspired by the Victorian military uniforms and the Byzantine Empire.
Eriya's collection 'Aurum' 
Photography by Clay Frame

On the other hand, their stunning traditional Cambodian costumes made of silk caught my eye. What has been the biggest inspiration that you’ve taken from Cambodian culture into the things you design? “It's the fabrics. I've noticed how the traditional Cambodian costume has very delicate and beautiful fabrics. To me the choice of fabric is very important, your designs can be outstanding, but if you choose the wrong fabrics for it, the clothes would lose its value.”

In between the beautiful traditional garments and the fast-fashion factories, Cambodia’s fashion scene looks like it is just starting to develop, and Eriya seems quite inspired to change the perception of her country. “Firstly, I would like the rest of the world to see that Cambodian people do have potential to make it in the fashion industry. I want Cambodian people to realize that being a designer isn’t a low-life job. It’s a career that requires a lot of passion, and designers are very well-respected people.” As she’s applying to Parsons now, Eriya is looking to gain all the experience possible so she is able to share that in her own country and help create a change. “I don't only want people to see me as a fashion designer, but also as an artist, a helper and a teacher.” 


All pictures courtesy of Eriya Miura 

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Fashion in Cambodia: Eriya Miura is licensed under a Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported License.

martes, 20 de noviembre de 2012

Fashion in Latvia: Sabine Skarule



Despite being a small nation, Latvia is world famous for it’s stunning models and has enough creative talent to make this country stand out in the fashion world. Based in Riga, Latvia's capital, fashion designer Sabine Skarule is in her last year at Latvian Academy of Art. During her time there she’s presented a total of three collections, attempting to connect and then disconnect the clothing with the human being and the environment.

Sabine Skarule
When I talked to Sabine, she was taking some time off to inspire herself in the countryside. She looked very comfortable sitting in bed and wearing a dark long-sleeve slouchy sweater. Her short abundant brown hair covered her shoulders and the strap of a colourful blue top that she was wearing underneath. While holding a mug, she talked pragmatically of her home country. “Well yeah, Latvia is a really small country,” she laughed and her feline-shaped eyes became even more pronounced, “but at the same time it is easier to do things. If you want to do something, there’s a 100% chance that everybody is going to know about it.”
The Academy webpage describes in the programme that students have to develop a dress as an object; ‘Dress-Art’. Also fashion students present one collection per year, “we have to do everything ourselves,” said Sabine. Fortunately, they often have the chance to consult with the teachers and get their advice. So, with five students in her class it’s easy to have personal attention and discuss each other’s projects. “We are like family”, she said between a smile.
Zofa, a hand-made shoe designer, Mareunrol’s, Keta Gutmane, Indra Miklava and One Wolf are a few designers that Sabine suggested I should check out, “I really like Latvian designers, we are different and this is good.” In Riga they also have a shop called Paviljons that sells national fashion and work from young designers.

But do Latvian people actually buy their own national fashion? “More or less, if they have chance to buy it, they will”, she explained. So it seems people in Latvia are supportive of national design, “I start to think that most of my friends have Latvian designers clothes” she said.
However, with no big fashion companies in Latvia, young fashion designers find their break via competitions, Baltic financial support, working in TV ads, selling clothes around small shops, styling at magazines or making garments for their friends. While the fashion industry in her country is still exploring the possibilities, I asked her if she ever found inspiration in her culture. “Probably the colours, everything is more grey in Latvia, everything is in dark colours I don’t know why, maybe is something from our ethnic culture, I don’t know what is it.” Whatever it is, this country is certainly developing a strong fashion identity and Sabine seems to breath in it’s characteristics as a source of inspiration. Her latest collection at The Academy, called Only After You, was made out of black and white garments in which the models looked hidden in the black garment to add more importance to the clothes.
Sabine's collection 'Only After You'
With Sabine currently getting inspiration from the countryside for her last collection at the Academy, she is looking forward to taking part in competitions too and studying abroad. Despite Latvia’s small population, this country has numerous fashion lovers that are proud and believe in Latvian fashion, just like Sabine. In addition, Latvian fashion has been catching the eye of international magazines such as Vogue Italy that recently reported on Riga’s Fashion Week. “We have a long way to go, but we are a very creative country and we have a lot of talented designers, I really believe that.” concluded Sabine.












All pictures courtesy of Sabine Skarule

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Fashion in Latvia: Sabine Skarule is licensed under a Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported License.


martes, 21 de agosto de 2012

Fashion in Mexico: Maura Ireri

Maura Ireri is a recent fashion graduate from ‘Centro de Diseño, Cine y Televisión’. For her final collection she used patterns based on golden proportion that concluded in very simple, meticulous and eye-catching white garments. With this collection, Maura proved that the young crowd might be the boost that fashion in Mexico needs.

Maura by Homero Ramírez
Picture courtesy of Maura Ireri
As a Mexican, we are often likely to have been asked at least once about the Mexican burritos and whether we wear sombreros charros or ride donkeys. So with this vision of Mexico, I bet it might not seem as a top destination for fashion lovers. However, just like in any other country, Mexico has fashion students like Maura Ireri, struggling to launch their own brands.

Dressed in dark colours and with her recognisable fringe covering her forehead, Maura opened the door and let me in her flat. With a sweet smile and dark eyes, she guided me through the place. It wasn’t the first time I was there, but I took a peek in her room again, just to confirm how polished and neat she is with her room as with her designs. White walls, orchids in a table corner, and a bit of an angelical light coming in from the windows. We sat down on the main table, where she had been painting her nails with a green-gold lacquer.  She got back to what she was doing and I asked, how did you get interested in fashion design?

She stopped painting her nails and very calmly and with a smooth accent between her words, said, “everything started with drawing”. After learning how to draw with her father who’s an architect, Maura drew outfits for her friends just for fun. Then, she decided to take things a bit more seriously and went on pattern-making and sewing courses when she was in high school. She also chose to move away from her hometown, Uruapan, Michoacán, to come and study to Mexico’s capital. “Because fashion was here”, justified Maura.


In Mexico City, there are three well–known fashion schools, one of which is Centro de Diseño, Cine y Televisión (Center of Design, Film and Television) where Maura studied. After the first year of studying photography, drawing and art history; while mixing with students from film, industrial and interior design, you focus on fashion and textiles. Classes vary from knitting, screen-printing to fashion history. 

She also had the chance to study one semester in Barcelona, so I asked what was the biggest difference that she noticed. “In BAU (School of Design, Barcelona), there was much more freedom for design, they weren’t very responsible, but they were more experimental.” In Mexico, as she observed, teachers tend to restrict your way into a certain type of design, “and without realizing it, you are built in a more commercial, conservative path.”

Perhaps within reason, because as Maura explained, “Mexico is very conservative, people in Mexico City dare more, especially those in the artistic scene, but the population in general prefer the jeans and the t-shirt.” The lack of fashion culture, and the high amount of foreign cheap shops like Zara, make it hard for someone to buy Mexican fashion. Then again, in such a populated country and with a constant economical crisis, people worry more about their basic needs. So, how can someone even bother to think about fashion?

Garments from Maura's final collection
Picture Courtesy of Maura Ireri
Compared to India or Japan, in Mexico the traditional costume is mainly used by indigenous people. Also, because of the high foreign influence, the traditional costume is slowly getting lost. However, there are a few traditional garments that remain part of the contemporary wardrobe. One is a shirt called ‘guayabera’ mostly used by men at special events, and the ‘rebozo’, very similar to the pashmina used by women. Nevertheless, Mexico remains popular for its beautiful textiles. “I like the diversity of materials here, that many designers do take advantage of”, said Maura.

Being in the fashion industry is not the best-paid job in Mexico, but how can it be when being a fashion designer is not a very respected
profession? “In Mexico most people don’t understand the difference between a seamstress and a designer”, said Maura. What’s the biggest limitation you’ve had? She was quiet for a moment, then said, “the lack of support to show yourself as a new designer.” The process that it takes for a young designer to appear in a runway is rather slow. As a lot of you might know, little shops in trendy zones that sell Mexican fashion garments are the way to start as a designer. Then big platforms like Mercedes-Benz Fashion Week or IDM (International Designers Mexico) are the next step if you’ve made it in a big way.

How would you deal with the lack of economical support towards designers? “I think until it happens to me, I’ll know,” she said giggling. So while she figures this out, and gains more experience in fashion design, Maura is showing with her collection that it’s possible to bring Mexican traditions into a contemporary design. “I took the ‘bejuco’ technique that chairs are sometimes made of, it is very Mexican, and I applied it on a dress,” she said referring to the black dress she wore the day she presented her final collection.

Despite the lack of costumers, fashion design is getting increasingly popular as a career in Mexico, as more designers emerge into the scene. Giving Mexican fashion students hope that it is a growing industry and it might be very different in the near future. “In a few years, I hope that it’s easier, so I can start my brand properly,” concluded Maura.

Check out Maura's work: www.mauraireri.com

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Fashion in Mexico: Maura Ireri is licensed under a Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported License.
Creado a partir de la obra en http://fashion-aroundtheworld.blogspot.co.uk/2012/08/fashion-in-mexico-maura-ireri.html.